Monthly Archives: August 2015

When is a Remix Stealing from the Original? : KQED Education | KQED Public Media for Northern CA

This might lead to some very interesting discussions of what intellectual property is, how to respect it, and how to use it fairly.  It also might lead to an understanding that plagiarism is not the same as sampling.  Plus, the scratching might be fun.

“Appropriation is the intentional borrowing, copying, and alteration of preexisting images and objects. How do you determine what is considered artistic appropriation and what is considered “stealing?”

Source: When is a Remix Stealing from the Original? : KQED Education | KQED Public Media for Northern CA

Simple Tool: Low Bar to Entry for Frequency Analysis and Slow Reading–WordCloudGenerator


Jason Davies’ word cloud generator will work at interesting angles and is customizeable.  The one above is at a 45 degree slant.  The one below is a 90 degree.



The text for this is from a Ted Hughes’

The struggle truly to possess his own experience, in other words, to regain his genuine self, has been man’s principal occupation, wherever he could find leisure for it, ever since he first grew this enormous surplus of brain. Men have invented religion to do this for others. But to do it for themselves, they have invented art—music, painting, dancing, sculpture, and the activity that includes all these, which is poetry.

Because it is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions inside the head and express something—perhaps not much, just something—of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are, from the momentary effect of the barometer to the force that created men distinct from trees. Something of the inaudible music that moves us along in our bodies from moment to moment like water in a river. Something of the spirit of the snowflake in the water of the river.

Something of the duplicity and the relativity and the merely fleeting quality of all this. Something of the almighty importance of it and something of the utter meaninglessness. And when words can manage something of this, and manage it in a moment of time, and in that same moment make out of it all the vital signature of a human being—not of an atom, or of a geometrical diagram, or of a heap of lenses—but a human being, we call it poetry.


[From POETRY IS by Ted Hughes, Doubleday, 1970]